In/Stead: Sister Publication to Double Dialogues

The Psychology of Composition (The Unconscious Metaphor)

Space and Place

Bring Back Bradley: Shakespearean criticism and the problem of graphocentrism

The Curtain is Calling: Art and inquiry with refugee participants

Engaged and Reflexive

Sleepwalking into the Mirror: Panic and the Thin Skin of a Writer

The Lost Princess: Anastasia, a Risky character

Look down, Look up: Barbara Bolt’s Art Beyond Representation

A Question of Character …

Absolute Zero

Converting History into Poetry: Examples from La Pucelle

Music, Language and Emotion

Sublime Journeys: Landscape and the Human Body

The Practice of Australian Art

Epitaph

Clay, Cloth, Corps

Stationary Transport: Innocent Suitcases

Dance of Language: A Study of the Selected Notebooks of A. D. Hope

Five Sides of the Fence

Narcissism: Reflections

Beyond the lie at the heart of the library: Blake and Bachelard

Stuck Inside a Mobile

Before I became a woman

Eyes in Times of War

Ghosts of Cadaqués

The Girl without Soil

40 Acres and a Mule

Reclaiming the middle ground: The case of the Malthouse Theatre1

The Sacred Foundation

Hanging the washing between the lines: A glimpse into the backyard of one writer’s work in process

The Memory Room, by Christopher Koch

Coffee, coffee

Flow

New directions for In/Stead

Otaku: resistance and conformity

The Singing Ringing Tree

Ghosts in the Material: Encounters in the family archives

‘How do I look?’: Costume, Excess and Ambiguity in Moulin Rouge!

Antigone in Belfast: Staging Violence, Conflict and Reconciliation in Northern Ireland

Things that are not there

Entrance! It’s Elements! It’s Stories!

Scanning the Bones II: Beneath the words?

Pulse: A Physical Approach to Staging Text

Staging Hidden Stories: Australian Theatre and Asylum Seekers

Alabaster: The Grain of the Voice and Semblance

Glimpses of a Better World: The plays and poems of Bertolt Brecht

Intersections of Therapy and Aesthetics

Breaking Open the Story

Bharatnatyam, the Technique of Story Performing!

Australian-Lithuanian Dialogues and Hidden Stories: 1940s−2000s

Each Doppelgänger Love

In Defence of the Unlikely

Home Sweet Home

Plotting the field: Art as Problem-solving

‘Under the Forest’ & ‘Ladyswamp’: A radio play and a sonic poem

Appropriating History

Returning a Dislocated Child’s Body to the Scene of a Crime

Individuals become events: Sexual abuse in Disgrace and Cereus Blooms at Night

The End of the Road: Constructing the Enigmatic character

A Manifesto for Obscenity

Ectopiques